With the repetition of the treatment he receives, Rogelio discovers the advantages of filming his hospitalizations: multiple sclerosis is no longer just a disease but a shooting plan, a chance to reinvent a more compassionate narrative about what he and others expect or imagine about being ill. In this way, his mother and friends are no longer just compassionate witnesses, but accomplices and cameramen; the difficult moments also become narrative potential; the inability to work on other people's films is no longer a limitation but also the opportunity to make his own film.